Writing on the Wall

Each star a rung, night comes down the spiral staircase of the evening. The breeze passes by so very close as if someone just happened to speak of love. In the courtyard, the trees are absorbed refugees embroidering maps of return on the sky. On the roof, the moon - lovingly, generously –   is turning the stars into a dust of sheen. From every corner, dark-green shadows,   in ripples, come towards me. At any moment they may break over me, like the waves of pain each time I remember this separation from my lover. This thought keeps consoling me: though tyrants may command that lamps be smashed in rooms where lovers are destined to meet,   they cannot snuff out the moon, so today, nor tomorrow, no tyranny will succeed, no poison of torture make me bitter, if just one evening in prison can be so strangely sweet, if just one moment anywhere on this earth. Translation b y: Agha Shahid Ali About the poet:   FAIZ AHMED FAIZ     

Compose for Red a proper verse; Adhere to foot and strict iamb; Control the burst of angry words Or they might boil and break the dam. Or they might boil and overflow And drench me, drown me, drive me mad. So swear no oath, so shed no tear, And sing no song blue Baptist sad. Evoke no image, stir no flame, And spin no yarn across the air. Make empty anglo tea lace words— Make them dead white and dry bone bare. Compose a verse for Malcolm man, And make it rime and make it prim. The verse will die—as all men do— but not the memory of him! Death might come singing sweet like C, Or knocking like the old folk say, The moon and stars may pass away, But not the anger of that day.   About The Poet:   ETHERIDGE KNIGHT was an African American poet who made his name in 1968 with his debut volume, Poems from Prison. The book recalls in poetry his eight-year-long sentence after his arrest for robbery in 1960. By the time he left prison, Knight had

Between my finger and my thumb    The squat pen rests; snug as a gun. Under my window, a clean rasping sound    When the spade sinks into gravelly ground:    My father, digging. I look down Till his straining rump among the flowerbeds    Bends low, comes up twenty years away    Stooping in rhythm through potato drills    Where he was digging. The coarse boot nestled on the lug, the shaft    Against the inside knee was levered firmly. He rooted out tall tops, buried the bright edge deep To scatter new potatoes that we picked, Loving their cool hardness in our hands. By God, the old man could handle a spade.    Just like his old man. My grandfather cut more turf in a day Than any other man on Toner’s bog. Once I carried him milk in a bottle Corked sloppily with paper. He straightened up To drink it, then fell to right away Nicking and slicing neatly, heaving sods Over his shoulder, going down and down For the good turf. Di